ACADEMIC QUALIFICATION

• MMus (2013), Master of Music Composition (Technology), Birmingham Conservatoire, Birmingham City University, Birmingham, United Kingdom
• BMus (2010), Bachelor of Music in Piano Performance and Pedagogy, Universiti Sains Malaysia, Pulau Pinang, Malaysia
• ATCL Dip. (2004), Piano Performance, Trinity College, United Kingdom

AREAS OF EXPERTISE

• Music Composition (Electronic/ Electroacoustic)
• Music Theory
• Music Technology

RESEARCH INTEREST

• Applied research/ practice-based research in contemporary classical music composition
• Musical acoustics
• Music technology in composition and rehabilitation

BIBLIOMETRIC DATA

• https://www.researchgate.net/profile/Ainolnaim_Azizol?ev=hdr_xprf&_sg=8aD7ufMG776chy3lwGp9g7-DRen0vuZLBFw6xtajVS8vE0luUc5ynpCfY2MGVGWdEShppoQuegKOolZXj3NVs-Sr
• https://scholar.google.com/citations?user=B9HsvjUAAAAJ&hl=en
• https://orcid.org/0000-0002-9722-6772 

RESEARCH & PUBLICATION

ARTICLE JOURNAL

• Ainolnaim Azizol (2017). Sonic Exploration of Alto Recorder: Applied Research in Contemporary Classical Music Composition. Malaysian Music Journal, 6(2), 71-93. Retrieved from http://mmj.upsi.edu.my/images/MMJVOL6No2/MMJ6204_171230_Ainolnaim_Final(1).pdf (ISSN: 2232-1020)
• Fadzil, S.,  Ross, V., Azizol, A. (2016). Symbolic Roles of Music in Kavadi Rituals. Paper proceeding for 7th International Conference on Postgraduate Education (ICPE). Universiti Teknologi MARA (UiTM), Shah Alam, Malaysia, 2016. (ISBN: 978-967-0171-64-7)

ARTICLE PROCEEDING

• Azizol, A. (2016). Nadi Bumi: Extended Techniques for Alto Recorder and Science. Paper proceeding for International Music and Performing Arts Conference (IMPAC) 2016. Universiti Pendidikan Sultan Idris (UPSI), Tanjung Malim, Perak, Malaysia (ISBN 978-967-13724-1-8). Retrieved at http://impac2016.upsi.edu.my/images/prosiding.pdf 

MUSIC SCORE/ BOOKS

• Ainolnaim Azizol (2017) Nadi Bumi for Alto Recorder [music score]. Edition Tre Fontane (ETF 3076), Münster. Retrieved from https://www.tfront.com/p-450391.aspx?searchEngineName=nadi-bumi-to-the-trees-fur-altblockfl%C3%B6te 

RECORDING CD/ BROADCAST

• Ainolnaim Azizol (2016) Nadi Bumi for Amplified Alto Recorder [live broadcast recording]. RTSespace2  Radio, RTS Radio and Television Suisse, Switzerland. Retrieved at http://www.rts.ch/play/radio/musique-davenir/audio/concours-de-composition-pour-flute-a-bec?id=8075973&startTime=0  
• Ainolnaim Azizol (2014) Fragments I for Two Trumpet in B-flat [Recording CD]. Japan Federation of Composers, Asian Composers League, Yokohama, Japan.

 GRANTS/ AWARDS/ RECOGNITIONS 

• Anugerah Akademik Universiti (AAU) 2017 Kategori Seni dan Kreatif.
• Commission award for new music composition: JulaJuli for Amplidied Alto Flute and Electronics, MA/IN 2018 (Matera) and Spaziomusica Festival 2018, Italy.
• Audio and Music Production for Batik Girl Animation Project with the R&D Studio Sdn. Bhd, sponsored by MDEC: 2017/18. Total Allocation: RM25,000.00
• Anugerah Perkhidmat Cemerlang (APC) 2017, Universiti Teknologi MARA, Malaysia
• Research Acculturation Grant Scheme (RAGS), sponsored by Ministry of Education Malaysia. Research Duration: 2014-2016. Total Allocation: RM50,000.00 (RAGS/1/2014/22107/UITM/10). Research Title: Mapping The Sonic Spectrum of Traditional Music and Instruments Used In Kavadi Ritual. Research Role: Lead Researcher
• UiTM Dana Kecemerlangan Akademik 2016 (RM4,740.00)
• 3rd Prize, New Recorder Music Festival and Composition Competition 2016, L'Association FlautoDolce Lausanne, Switzerland (Composer)
• 2nd Prize, Young Composers Composition Competition, Asian Composers League (ACL) Festival and Conference, Japan 2014 (Composer)
• Finalist & Consolation Prize, International LANXESS - Composition Competition For Young Composers, Acht Brucken Muzik Fur Koln 2013, Cologne, Germany (Composer).

COMMUNITY SERVICES / INDUSTRY COLLABORATION

COMPOSER - INDUSTRY

• Gneiss for Almglocken, Geduk and 8 Speakers with Computer, Linux Audio Conference 2019, Standford University, Centre for Computer Research in Music and Acoustics 2019, US (composer).
• JulaJuli for Amplified Alto Flute and Electronics, MA/IN (Matera) 2018, Italy (composer).
• JulaJuli for Amplified Alto Flute and Electronics, Spaziomusica Festival 2018, Italy (composer).
• Seven Sisters for Guitar and Electronics, UiTM-KLPac Composers Concert Series 2016 (composer/ performer).
• Nadi Bumi for Amplified Alto Recorder, New Recorder Music Festival and Composition Competition 2016, L'Association FlautoDolce Lausanne, Switzerland 2016 (composer).
• Meta VI for electroacoustic, Asian Composers League (ACL) Festival The Philippines, 2015 (composer).
• Titik-Titik for Piano Solo and Moving Images (premiere), International Contemporary Arts Festival Kyoto, University of Arts Kyoto, Japan 2015 (composer).
• Fragments I for Two Trumpets in B Flat (premiere), Asian Composers League (ACL) Festival, Minatomirai Hall, Yokohama, Japan, 2014 (composer).
• Nocturne I for Voice, Gamelan & Electronics (premiere), Yogyakarta Contemporary Music (YCMF) Festival 2014, Indonesia (composer & electronic musician).
• Badang !!!! for String Quartet and Live Electronics (premiere) by Asasello Quartet, Bismarck Hall, Westdeutschen Rundfunks 3 (WDR3), Cologne, Germany, 2013 (composer). 
• C-lat for Percussion Ensemble (premiere), Cage+ Project, International Music Institute Darmstadt, Germany, 2012 (composer).
• Konstruktif for Piano Solo, York Spring Festival of New Music, University of York, York, United Kingdom, 2011 (composer).

UNIVERSITY - INDUSTRY

• MDEC & R&D Studio 2017/2018: Music composition & sound design for animation (Project Manager/ Composer/ Sound Designer)
• My Performing Arts Malaysia, WiseME, Yamaha & Warisan Studio: Music Industry Day - HIFA 2017 Faculty of Music, UiTM (Project Manager) http://hifamuzik.wixsite.com/2017 
• KL-Japan Foundation & QUON inc. Jp : Video Game Music & Audio Design Workshop (VGM-AD) 2017 with QUON Inc. Japan and Japan Foundation Kuala Lumpur, (Project Manager)
• Goethe Institute Kuala Lumpur & CEE Detour Asia: Malaysia Music Technology Festival - SPECTRA 2016, (Festival Director/ Curator/ Founder) www.spectrafestival.weebly.com 
• JKKN: International Gamelan & Caklempong Festival 2015, UiTM Faculty of Music, (Festival  Committee)
• Goethe Institute Kuala Lumpur & CEE Detour Asia: Malaysia Electronic Music Festival - SPECTRA 2014, (Festival Director/ Curator/ Founder)
• Kuala Lumpur Performing Arts: KLPac-UiTM Malaysian Composers Concert Series 2014-present, (Festival Committee)

 PROFESSIONAL QUALIFICATION/ EXPERIENCE

• Full-time Lecturer, Faculty of Music, Universiti Teknologi MARA (Oct 2013-present)
• Malaysian Composers Collective (MCC), Member (2015-present)
• Part-time Lecturer, Faculty of Music, Universiti Teknologi MARA (Jan - Sept 2013)
• Part-time Piano Instructor, Yamaha Music (Jan 2013 - Jan 14)
• Music Composer and Sound Designer, Les Copaque Production Sdn. Bhd. (Jun - Oct 2013)
• Birmingham Contemporary Music Group (BCMG) Internship, City of Birmingham Symphony Orchestra (CBSO), Birmingham, United Kingdom, (Jun - Dis 2012)
• Gamelan Instructor and Music Arranger, Taman Budaya, Jabatan Kebudayaan dan Kesenian Negeri, Pahang (Jul 2010 - Aug 2011)
• Music Orchestra Instructor and Music Arranger, Unit Kebudayaan, Universiti Malaysia Pahang (2010-2011)
• International Music Institute Darmtstadt Summer Course 2012, Germany, (Student, lesson with Brian Ferneyhough, Claus-Steffen Mahnkopf, Georges Arpeghis and Hildegard Westerkamp)

 ADMINISTRATIVE DUTIES

• Music Business Degree Programme (chair/ coordinator) 2017-present 
• Faculty's Academic Committee (JAF) 2017-present
• Website Committee (chair) 2016-2018
• Music Instruments & Technical Committee (member) 2017-2018
• Industry, Community and Alumni Networking (ICAN) Coordinator 2017
• Music Technology Curriculum Design Committee (member) 2014-2017
• University-Graduate Employability Taskforce, U-GET Committee (member) 2016-2017
• Aural Exam Paper (audio recording setter) 2014-present
• Theory Exam Paper (setter) 2014-2016
• Curriculum Reviewer/ Deemed-Accreditation MQA-02 (member) 2014-present

 TEACHING & LEARNING DUTIES

• MUC501 Music Technology for Composers
• MUC651 Music Production
• MUC568 Counterpoint and Tonal Structure
• MUC437-587 Composition I-VI
• MUC506-556 Seminar in Composition I-II
• MUF454 Theory of Music II
• MUF504 Theory of Music III
• MUF655 Research Project
• MUF401-651 Forum
• MUF100-300 Principle Study (Classical Piano) I-V
• MUB501-651 Music Business Seminar